THE TALK WITH PRINCESS GOURI
HER HIGHNESS THE PRINCESS OF TRAVANCORE GOURI PARVATHI BAYI ABOUT AYURVEDA
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HER HIGHNESS THE PRINCESS OF TRAVANCORE GOURI PARVATHI BAYI ABOUT AYURVEDA
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| THE TALK WITH PRINCESS GOURI
If you expect stories which starts: Once upon a time, there was a princess... stop reading. Her Highness Princess Gouri Parvathi Bayi of the Travancore Royal Family will introduce us very modern and open minded view on today's Kerala society and ayurveda.
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| THE TALK WITH PRINCESS GOURI
The ego is very big! People say: my way is the only way! I do not think so. I think, there are many ways. Maybe it all leads to the same point, but the ways are many, methods are many, the methodologies are many.
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| THE TALK WITH PRINCESS GOURI
Ayurveda god Dhavantari is a male form, but in Kerala we had matriarchal system in which the woman had lot of power. So things like treatment was in the hands of the woman. Woman decided which way the family would go.
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| THE TALK WITH PRINCESS GOURI
Happiness is a state of mind, which we all would like to achieve. But it is not that easy, when you try to put it in the practice. The power of art is your strength of mind. Everything is in some form of art. It is the inner treasure, which you have to look for and find it.
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| THE TALK WITH PRINCESS GOURI
In the older days we believed, that the kitchen can be your pharmacy, you had the market right in your garden. We used to cook even with banana skins. Yes, the peel which you discard. But today’s perception of the food is totally different!
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| THE TALK WITH PRINCESS GOURI
There are things, which we really do not understand - what is up there, what is out there. People, who do research in astronomy, they find something new every day. All these things definitely have an influence on human body.
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| THE TALK WITH PRINCESS GOURI
Lord with the lotus in the naval, our lives have been fulfilled by doing service at your feet. We are fulfilled. Our lives are complete...This has been the motto of the Travancore family for generations and I hope it will continue so as long as family is in the existence.
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| THE TALK WITH PRINCESS GOURI
Dharma is a very difficult word for which there is no translation. It is a concept. Our own family motto is Dharmo smat kuladev atam. The British translated is Charity is our household divinity. Dharma is not Charity! There is much more to it!
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| THE TALK WITH PRINCESS GOURI
In the older days, what we did not do, was to explain things to people. You would say: Do this, it should be done this way! The why and where, nobody bother to explain. But today, you can explain or open the inner eye in anyone, in any age and in any stage of life.
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| THE TALK WITH PRINCESS GOURI
One of the Kani tribe chiefs told me: We never had anything white! We drunk no milk, we ate no salt, we ate no sugar, we did not consumed processed flour. We had the millets, the grains, spices and herbs in the forests. I call it a white diet.
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| THE TALK WITH PRINCESS GOURI
If you ask me, what is Kerala’s biggest problem today, I would say, it is the garbage! As the Malayali is very conscious of his physical cleanness and wellbeing and he will take his garbage and put it on the street. So that is very, very serious problem as I see it.
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| THE TALK WITH PRINCESS GOURI
I am basically restless person. I like to walk and explore places on foot. I think, that discovering the city, a village, an area on foot and interacting with local people, that give the very special dimension to your travels.
If there’s anything that I have stolen from my grandmother’s shelf of knick-knacks is a spoonful of pickle and some sweet and sour sarcasm. And yes, thanks to that I landed a job as a writer in a magazine.
You wear a saree only when you become a woman.” It sounds like a sentimentally wise thing to say, but let me break it down to you. In other words, it also meant, “When you’re ripe enough for the marriage market.”
Chilean poet and featuring artist at the Kochi Muziris Biennale 2016 on the possibility of an artistic response to the human crises of our time, including the refugee crisis surrounding the conflict in Syria. The sea, which became a grave for hundreds of people, including children.
Theyyam is a vibrant and colourful form of ritualistic worship that is deeply rooted in the culture and traditions of Kerala, India. This living tradition involves elaborate rituals, music, dance, and vibrant costumes that bring to life the divine spirits being invoked.
A new beginning is always infused with hope. Life is full of moments that we believe to be beginnings only because of the presence of hope. A physical symbol of these moments of hope is the flower. The films attempts to capture the emotion of these beginnings.
Dravidian Catharsis is the fruit of this deep immersion in the culture, the theatre, the traditions, and the soul of this mythological universe of the Tamil people. The powerful presences of spirits and living gods are embodied under masks.
Legend says that somewhere deep in the forest of the Himalayas is a strange bird that lays psychedelic eggs. Eating them will give you highly vivid hallucinations. The indigenous shamans believe that these visions are from your past life.
Ryuichi Sakamoto passed away this year on 28th March leaving behind a legacy of innumerable musical compositions that'll keep him alive in countless hearts across the world. However, I'll always be haunted by the fact that I couldn't let him know that I'm still alive because of his music along with many more.
Search for the questions to the answers written on the skin...and i asked. am i connected to the deep inside you? with the invisible roots from the layered skin of you? all the energy you transfer to the heart of your thoughts?i asked again am i still connected?
01: Ayurveda in Travancore Kingdom
If you expect stories which starts: Once upon a time, there was a princess... stop reading. Her Highness Princess Gouri Parvathi Bayi of the Travancore Royal Family will introduce us very modern and open minded view on today's Kerala society and ayurveda.
Stories of communities about origin, spread and apocalypse being presented through episodic memories, narrative and visual texts, travel writings, murals, divine objects, church paintings, and songs provide a dense and myriad repository of historical and artistic imagination.
IN OUR VEINS FLOW INK AND FIRE
This edition of the KMB 2022 embodies the joy of experiencing practices of divergent sensibilities, under conditions both joyful and grim. There is optimism even in the darkest absurdity, and this is what leavens the direness of our time.
KR Sunil goes beyond his frames to explore and discover soulful human stories. In this journey, he pursues a long forgotten life, that of a Tamil boy who endured the worst in a journey to Kerala. As the World Cup fever peaks, here is a story.
Presenting to you the most exciting project that we have worked on this year! A short film shot entirely on phone, this project has been a dream & after a lot of anticipation & hard work from all of us here, we are super duper excited to finally bring this to you!
Nitesh Noor Mohanty is a visual artist who works at the fluid intersection of arts, culture, communication, media and self-reflection. His theoretical interests are also wide, often inquiring about the roots and fundamentals of art history, storytelling, and philosophy.
Life & Times of Amrita Sher-Gil
Amrita Sher-Gil, considered the mother of Indian modern painting, became known as the Indian Frida Kahlo. With her paintbrush she explored the sadness felt by people, especially women, in 1930s India, giving voice and validity to their experiences.
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