We use cookies to optimise our website functionality and give you the best experience possible. Please, accept our Terms and Conditions. ACCEPT
Ride about Town
On our first day at Pondi, we imagined cycling through Rue Suffren till Paradise Beach, rather we found ourselves going around in circles and landing at Rue Labourdonnais. Riya and I never got our hands on bicycles, but we had a better experience with the rickshaws.
It was an early afternoon, while heading back after lunch, we landed in a lane that comparatively had a lot more cars travelling though. The road was flanked by huge hoardings that looked like movie posters but turned out being wedding posters- starring the bride and groom, with headshots of family members as supporting actors. While that pretty much got anyone’s attention, we spotted a stunning auto rickshaw* that had blue spokes with red rims. The owner of it was enjoying a slow smoke, his faded shirt and slack lungi coincidentally blended in with the chipped off walls, but he sported the brightest blue chappals*. My aqua skirt has always been teased for passing off as a brassy lungi and I told Riya, “Well he’s got our concept right.” Riya could not help laughing to herself, “ Well could I be any more shabby, I’m wearing my pyjama pants?” We jokingly asked if we could ride his rickshaw and he laughed off saying, “Why not?”
In a while, he ended up calling a gang of his friends who were amused by our little request. And there was Riya riding a rickshaw in the middle of the road. We ended up calling it the family photograph. They all hurled up and sat on one end, laughing away and wondering whether they were going to be featured in a newspaper.
One of them especially, Murali, the curious one asked me for my name. Unfortunately he picked it up as Anita, and while being photographed he kept on saying, “Anita, smile Anita.” And in that moment my pursed lips broke into a smile and he was happy that I got rid of my straight face. In a matter of seconds, many stopped their cycles and offered there’s. From a floor someone was yelling, “Would you like to be photographed here?” A few insightful ones were sharing directions to antique stores. But in the end when we politely thanked them, they just had one request, to see the photograph. Murali looked at me, smiled. The next day we never saw the rickshaw, it was a shame, I wanted to know if the owner painted his own rickshaw because it was truly a stunner.
—
Follow Atheena 04: Perhaps at Pondicherry >>
Here's the lingo guide:
Dugbe* - A market situated in Ibadan, Nigeria
Gele* - A type of head scarf commonly worn in many parts of Southern and Western Africa
Malayalam* - The native language spoken in Kerala, India
Rickshaw* - A wheel operating vehicle in India
Chappal*- Colloquial term for sandals
Bharatanatyam*- A major genre of classical dance that originated in Tamil Nadu, Kerala
Chechi*- Colloquial term for sister in Malayalam
Ammachi*- Colloquial term for grandmother in Malayalam
Mutta* - Colloquial term for egg in Malayalam
Run parallel, meet at intersections, skip a few lines, the line of thought has journeyed across a few latitudes and longitudes. To more miles before the big sleep. Cheers, Atheena
While he is searching for the right frame, he believes, that art enables us to find ourselves and lose ourselves at the same time. Perhaps he is lost in Pondicherry or found in Cochin.
If there’s anything that I have stolen from my grandmother’s shelf of knick-knacks is a spoonful of pickle and some sweet and sour sarcasm. And yes, thanks to that I landed a job as a writer in a magazine.
You wear a saree only when you become a woman.” It sounds like a sentimentally wise thing to say, but let me break it down to you. In other words, it also meant, “When you’re ripe enough for the marriage market.”
Chilean poet and featuring artist at the Kochi Muziris Biennale 2016 on the possibility of an artistic response to the human crises of our time, including the refugee crisis surrounding the conflict in Syria. The sea, which became a grave for hundreds of people, including children.
Theyyam is a vibrant and colourful form of ritualistic worship that is deeply rooted in the culture and traditions of Kerala, India. This living tradition involves elaborate rituals, music, dance, and vibrant costumes that bring to life the divine spirits being invoked.
A new beginning is always infused with hope. Life is full of moments that we believe to be beginnings only because of the presence of hope. A physical symbol of these moments of hope is the flower. The films attempts to capture the emotion of these beginnings.
Dravidian Catharsis is the fruit of this deep immersion in the culture, the theatre, the traditions, and the soul of this mythological universe of the Tamil people. The powerful presences of spirits and living gods are embodied under masks.
Legend says that somewhere deep in the forest of the Himalayas is a strange bird that lays psychedelic eggs. Eating them will give you highly vivid hallucinations. The indigenous shamans believe that these visions are from your past life.
Ryuichi Sakamoto passed away this year on 28th March leaving behind a legacy of innumerable musical compositions that'll keep him alive in countless hearts across the world. However, I'll always be haunted by the fact that I couldn't let him know that I'm still alive because of his music along with many more.
Search for the questions to the answers written on the skin...and i asked. am i connected to the deep inside you? with the invisible roots from the layered skin of you? all the energy you transfer to the heart of your thoughts?i asked again am i still connected?
01: Ayurveda in Travancore Kingdom
If you expect stories which starts: Once upon a time, there was a princess... stop reading. Her Highness Princess Gouri Parvathi Bayi of the Travancore Royal Family will introduce us very modern and open minded view on today's Kerala society and ayurveda.
Stories of communities about origin, spread and apocalypse being presented through episodic memories, narrative and visual texts, travel writings, murals, divine objects, church paintings, and songs provide a dense and myriad repository of historical and artistic imagination.
IN OUR VEINS FLOW INK AND FIRE
This edition of the KMB 2022 embodies the joy of experiencing practices of divergent sensibilities, under conditions both joyful and grim. There is optimism even in the darkest absurdity, and this is what leavens the direness of our time.
KR Sunil goes beyond his frames to explore and discover soulful human stories. In this journey, he pursues a long forgotten life, that of a Tamil boy who endured the worst in a journey to Kerala. As the World Cup fever peaks, here is a story.
Presenting to you the most exciting project that we have worked on this year! A short film shot entirely on phone, this project has been a dream & after a lot of anticipation & hard work from all of us here, we are super duper excited to finally bring this to you!
Nitesh Noor Mohanty is a visual artist who works at the fluid intersection of arts, culture, communication, media and self-reflection. His theoretical interests are also wide, often inquiring about the roots and fundamentals of art history, storytelling, and philosophy.
Life & Times of Amrita Sher-Gil
Amrita Sher-Gil, considered the mother of Indian modern painting, became known as the Indian Frida Kahlo. With her paintbrush she explored the sadness felt by people, especially women, in 1930s India, giving voice and validity to their experiences.
